Exploring Chinese Culture in “Better Days“: A Deep Dive into the Film‘s Social Commentary302


Zhang Yimou's "Hero" and Ang Lee's "Crouching Tiger, Hidden Dragon" brought wuxia and its rich tapestry of Chinese mythology and philosophy to a global audience. However, "Better Days" (少年的你), a 2019 coming-of-age drama directed by Derek Tsang, offers a vastly different, yet equally potent, glimpse into contemporary Chinese culture. This film, while ostensibly a story about bullying and juvenile delinquency, subtly yet powerfully weaves in numerous aspects of Chinese society, its values, and its anxieties, offering a nuanced and often heartbreaking portrait of youth in a rapidly changing nation. Its exploration of these cultural elements goes beyond surface-level depictions, delving into the complexities of interpersonal relationships, societal pressures, and the search for identity within a specific socio-economic context.

One of the most prominent cultural aspects depicted in "Better Days" is the intense pressure exerted on Chinese students within the highly competitive *gaokao* (高考) system. The *gaokao*, the national college entrance examination, is portrayed not merely as a stressful event, but as a life-defining moment that dictates future opportunities and social standing. Chen Nian (Zhou Dongyu), the film's protagonist, embodies this pressure. Her relentless pursuit of academic excellence, driven by a desire for a better future and escape from her impoverished circumstances, consumes her life and contributes to her vulnerability to exploitation and the harsh realities of her environment. This pressure isn't solely external; it's internalized, leading to a pervasive sense of anxiety and isolation, a common experience for many Chinese students.

The film also showcases the complexities of family dynamics within a specific socio-economic background. Chen Nian’s strained relationship with her distant mother, who prioritizes work over emotional connection, highlights the impact of economic hardship and the breakdown of traditional family structures in rapidly urbanizing China. The lack of genuine emotional support from her family forces Chen Nian to rely on herself, exacerbating her vulnerability and contributing to her cautious nature. This portrayal contrasts sharply with the idealized image of the traditional Chinese family often presented in media, offering a more realistic and relatable depiction of familial struggles in modern China.

Beyond familial relationships, "Better Days" subtly explores the concept of *guanxi* (关系), the intricate network of social connections that plays a significant role in Chinese society. While not explicitly emphasized, the film hints at the importance of *guanxi* in navigating the challenges faced by both Chen Nian and Xiao Bei (Jackson Yee), her troubled classmate. Their bond, born out of shared adversity, transcends typical social hierarchies and offers a form of refuge in a world where individual merit can often be overshadowed by social networks and connections. Their mutual support system underscores the importance of human connection in the face of systemic pressures.

The film’s portrayal of bullying and violence is another crucial element that reflects aspects of Chinese culture. The prevalence of bullying, often ignored or downplayed by authority figures, underscores the systemic issues within the education system and the societal lack of empathy towards marginalized individuals. The perpetrators' actions aren't merely acts of individual cruelty; they are symptomatic of a broader societal problem where social inequalities and power imbalances are exploited. This depiction challenges the idealized vision of harmony and collective responsibility often associated with Chinese culture, revealing a more complex and troubling reality.

Furthermore, the film subtly incorporates elements of Chinese aesthetics and visual storytelling. The muted color palette, often dominated by greys and blues, reflects the bleakness and despair experienced by the characters. The use of rain, a recurring motif, symbolizes the characters' emotional turmoil and the unrelenting pressures they face. These visual choices are not merely stylistic; they serve to underscore the emotional weight of the narrative and create a palpable sense of atmosphere, deeply resonating with the underlying cultural context.

The film's climax, depicting the legal consequences of the characters' actions, also implicitly touches upon the Chinese legal system and its complexities. The portrayal of justice is not a straightforward one, reflecting the ambiguities and imperfections inherent within the system. This element, although understated, provides a realistic and nuanced portrayal of the legal landscape in China, highlighting its limitations and imperfections within the context of the characters' experiences.

In conclusion, "Better Days" transcends its genre as a simple coming-of-age story. It's a powerful exploration of contemporary Chinese culture, delving into its complexities, contradictions, and anxieties. By focusing on the experiences of marginalized youth, navigating the pressures of the *gaokao*, struggling with dysfunctional family dynamics, and confronting societal inequalities, the film offers a unique and insightful perspective on the challenges faced by young people in China. It’s a film that doesn't shy away from portraying the harsh realities of modern Chinese life, offering a poignant and deeply moving portrayal of resilience, friendship, and the enduring human spirit in the face of overwhelming adversity. It’s a film that resonates not just because of its compelling narrative, but because of its unflinching portrayal of the cultural landscape it inhabits, offering a glimpse into the heart of contemporary China.

2025-04-10


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